Through the Alleys of Time – for classical guitar and tape focuses on the Ladino language, culture, and way of life that is fading away as the older generation passes. My inspiration for this vanishing tradition came during a visit to Córdoba and Sevilla, where the alleys seemed to whisper the tales of long-gone local communities. I envisioned a once-thriving community that, after 1492, dispersed in various directions, taking its language and traditions to new places like Greece and Bulgaria.
The music narrates the journey of a troubadour—a folk singer traveling from village to village in search of a particular song. Along the way, he encounters fragments of other songs, prayers, and chants, including Jewish prayers, traditional Ladino songs (Judæo-Espagnol), narratives, and influences from Christianity and Islam. During the Golden Age in Andalucía, these three religions coexisted harmoniously, enriching each other's cultures.
All the recorded fragments are authentic, featuring elderly men and women singing songs from their childhood. They represent perhaps the last link in a long chain, as these songs and expressions were not fully passed down to subsequent generations, if at all. I am deeply grateful to Dr. Shoshana Weich-Shahak for her lifelong dedication to tracing these singers and informants, and for generously allowing me to use excerpts from her recordings. Thus, the work as a whole becomes a passage through time, where voices, sounds, and images from the past emerge before our troubadour, whose quest leads him to discover his long-awaited song – "La Serena."
Through the Alleys of Time was commissioned by the Legacy Heritage Fund, through the America-Israel Cultural Foundation, dedicated to Guitarist Liat Cohen.