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The Quartet for Flute, Clarinet, Bassoon, and Harp is influenced by impressionistic French music and jazz, which was my main influence at the time. The first movement begins with a pastoral character, somewhat naive, but soon introduces more contemplative themes, ultimately concluding on a darker note. The second movement is a light, flowing piece built around a pentatonic scale theme. A bassoon cadenza serves as a bridge between the second and third movements, the latter being a long Passacaglia with a lamenting character. In the final movement, the piccolo replaces the flute. This movement opens with a fugue involving all four instruments, leading into a lyrical second theme followed by a harp solo, and concludes with a grand finale.

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